Duddley Diaz
June 9 - July 1, 2007
210 Loring
St., 1300 Pasay City, Philippines
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"Images of
the Sacred"
June 9 - July 1, 2007
The “unknown” and the “unexplainable” has always captivated
me. I often ask myself: what is it that is eternal in or
beyond human existence? How could I represent it? These are
the thoughts that provoked me to create my sculptures.
It is
through mythology: its goddesses and gods, or its heroes and
victims, that I am able to materialize my ideas, explain and
vivify my thoughts. In mythology the relationship between
the sacred and the individual is very strong. The strength
of this relationship goes beyond the individual’s capacity
to rationalize and prove its existence. As Joseph Campbell
has once said, “there lies so little difference between a
mystic and a madman for both are on the same waters…the only
difference is that the first knows how to swim and the
latter does not.”
In this
exhibit: “Angels and Goddesses”, I will be presenting mostly
painted or gilded wood sculptures, the “images of the
sacred”. I like wood as a medium since it elicits a feeling
of life and releases its seeming warmth from within. For my
bronze sculptures I make the models in wood so that the
final texture of the piece resembles the wood model.
I have
chosen angels because I am fascinated by the thought of
these winged and mysterious creatures interceding between
the divine and the individual, the spiritual and human
worlds. They have existed long before the Etruscan, Greek,
Roman, and Asian civilizations. They have already existed in
the very ancient culture of Mesopotamia and were already
flying over the fortified walls of Babylon. In the very
early years of Christianity in Rome, the “angels” were
represented without wings for they reminded the people of
the winged goddess of victory! Massimo Cacciari in his book
“L’Angelo Necessario” poetically stated that after many
centuries when the gods and goddesses of ancient Rome were
forgotten, the angel slowly grew its wings back….
The subjects
of Goddesses have often been depicted in my sculptures. It
signifies the spiritual aspect of a “god” being that of a
life-giver, being the provider of nourishment. It is my way
of seeing the positive side of life. Looking forward to the
future, Hoping. Life goes on even if we are surrounded by
wars and death.
Italy-based Filipino artist Duddley Diaz
studied Fine Arts at University of the Philippines Diliman
for one year and continued his art studies in sculpture and
painting in Academia di Belle Arti, Florence Italy. Duddley
had numerous solo shows and group shows in the Philippines,
U.S. and Italy from 1983 to present. His awards include,
2005 Grand Prize for Sculpture, Metrobank Foundation,
Presidential award for outstanding Filipino Abroad in 2001,
1998 Freemen Fellow at Vermont Studio Center, Johnson
Vermont U.S.A.
Duddley’s
works are displayed in places like San Tommaso a Lama
Church, Perugia, Italy. He conducted lectures and workshops
in different parts of Asia, Europe and the Americas.
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