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SOLO EXHIBITIONS
2006
Winston
Wachter Fine Art, New York
Ayala Museum,
Makati, Philippines
2005
Triple Candie,
Facade Project, New York
2x13 Gallery, New York (with Ran
Hwang), curated by Lilly Wei
2004
Plumblossoms
Gallery, New
York, NY (with Lois Conner)
2002 Winston Wächter Mayer Fine Art, New
York, NY
Schmidt/Dean
Gallery, Philadelphia, Pennsylvania
Hobart
and William Smith College Gallery, New York
2001
Byron Cohen Gallery,
Kansas City, Missouri
1998 Schmidt/Dean Gallery, Philadelphia,
Pennsylvania
1997 Metropolitan Museum of Manila,
Philippines
Christine’s Gallery, Baguio
City, Philippines
Bravin Post Lee, New York, NY,
Projects Room
1996 Hanart T.Z. Gallery, Hong Kong;
catalog essay by Lilly Wei & Tsong Zung Chang
1994 The Contemporary Arts Center,
Cincinnati, Ohio; booklet by Elaine King
1993 Schmidt/Dean Gallery, Philadelphia,
Pennsylvania
1992
David Beitzel Gallery,
New York
Schmidt/Dean Gallery,
Philadelphia, Pennsylvania
1990 Lang & O’Hara Gallery, New York
Schmidt/Dean Gallery,
Philadelphia, Pennsylvania
1989 The Bronx Museum, New York
1988
Lang & O’Hara Gallery,
New York
1987
Lang & O’Hara Gallery,
New York
1985 White Columns, New York
1983
Pittsburgh
Plan for Art. Pittsburgh, Pennsylvania
55 Mercer Street
Artists, Inc. New York
GROUP EXHIBITIONS
2006
"Dragon
Veins", USF Contemporary Art Museum, Tampa, Florida
2005
Group show,
Hammond Museum, North Adams, NY
"Magic Gardens" Kidspace @ MASS MoCA,
North Adams, MA with Tim Rollins,
KOS and Timothy Basil Ering
2004 "Hanart 20th Anniversary Exhibition, Hong
Kong Art Centre, Hong Kong
"The Annual", National Academy of
Arts, New York, NY
"The Body" 473 Gallery, New York, NY,
curated by Jeff Koan Baysa
2003
"The Radical
Line", Bowling State University, Ohio, curated by Ethan
Cohen,
catalog
"Rally for Triple Candie", Triple
Candie, New York
2002 DDM Warehouse, Shanghai, People's Republic
of China
"Visual Dialogue" China 2000, New
York, New York
"Longmarch Project" Maotai, People's
Republic of China
Asilah Arts Festival, Asilah,
Morocco, Mural
"The Players-Asian American Art"
Asian American Art Center, New York, NY
"Faculty Exhibition" Anderson Ranch,
Snowmass, CO
2001 “China Without Borders,”Sotheby’s, New
York, NY
“Plant Life,” Schmidt Dean Gallery,
Philadelphia, PA
“Transpoly Blue,” Elliot Smith
Gallery, St. Louis, MO
2000 “8.30.00,” Gallery 138, Kent State
University, Kent, Ohio, curated by William
Radawec
“Twice Born: Beauty,” The Mills
Gallery, Boston Center for the Arts, Boston, MA
curated by Shelly Bancroft
“Abstraction in Painting,” Castle
Gallery, College of New Rochelle,NY, curated
by W. Huang and K. Gass
“The Figure: Another side of
Modernism,” Newhouse Center, Snug Harbor
Cultural Center, Staten Island;
curated by Lilly Wei, catalog
“Crossing Borders,” Bowman, Penelec &
Megahan Galleries, Meadville, Pa
“Sensibilities,” Boothe Contemporary
Art, Wakefield, Rhode Island
“LaCoste 1999”, Alliance Francaise, New
York, N.Y.
“What Goes Around,” Katonah Museum of
Art, Katonah, N.Y.
“American Academy of Arts and Letters
Invitational Show,” American Academy,
N.Y.
“OVERTHETOPFRENZY,” Kingsborough
College Art Gallery, N.Y.
1999 “Working Together,” The Art Museum,
University of New Hampshire,Durham,
N.H., catalog
“The Masters of Graphic Arts,
International Biennial,” Municipal Museum of
Gyor, Hungary, catalog
“THE STROKE,” Exit Art, New York;
curated by Kerry James Marshall
“Personal Visions, A Survey of
Contemporary Photography,” Ayala Museum,
Makati, Philippines
1998 “Rose Selavy,” Jefferson Bank,
Philadelphia, Pennsylvania, curated by Alicia
P. Felton
“Urban Encounters,” New Museum of
Contemporary Art, New York
“Group Show,” Debs & Co. New York, New
York
“Faculty Show,” Anderson Ranch Gallery,
Aspen, Colorado
“Preview,” Byron Cohen Gallery, Kansas
City Missouri
“Group Show,” Jon Oulman Gallery,
Minneapolis Minnesota
“Part of the Fabric,” Rhode Island
School of Design Museum, Providence,
Rhode Island
1997 “1997 Art on Paper,” Weatherspoon Gallery,
Greensboro, North Carolina
“Teenage Mutant Ninja Turtles, NOT,”
Parsons School of Design Gallery,
New York
“ABOX,”Marsha
Meteyka Gallery, Washington, D.C.
“March Six,” Ikon Gallery, Los Angeles,
curated by Bill Radawec
“Group Show,” Katherine E. Nash
Gallery, University of Minnesota, Minneapolis
1996 “Photographism in Painting,” Pratt
Manhattan Galleries, New York catalog
“Special Exhibition, Iris Prints,” Los
Angeles Art Exo, 1996, curated by Bill
Radawec
“Allegory and Identity,” Visceleglia
Art Center, Caldwell, New Jersey
“New York,”(3 person) Kunsthaus in
Hofgarten, Munich, Germany
“Patchwork”, Andre Zarre Gallery, New
York
“The Electric Muse,” Mazmanian Gallery,
Framingham State College,
Massachusetts
“Painting ‘96,” Sharadin Art Gallery,
Kuztown Univ., Kutztown, Pennsylvania
1995 “Digital Dialects, New Paradigms,” Creiger-Dane
Gallery, Boston,Mass.
“Master of Graphics Art International
Biennial,” Muveszeti Museum,Gyor,
Hungary, curated by E. A. King
“Group Show,” Stonehouse Gallery,
Litchfield, Ma.
“Not Not Part 1,” E.S. Vandam Gallery,
New York
“Contradictory Conclusions,” The
Gallery at Northhampton, Pa. curated by
Rhonda Wall
“Asian Reflections,” New York
University, New York
“Works on Paper,” S. Cono, Brooklyn,
New York, curated by Chris Martin
1994 “East/West, Cross Culture Influences in
Painting,” E.S.Vandam, New York
“Flooding Camera,” The Workspace, at
Dolgeros, Newman and Cronin;
New York
“Couples,” Elga
Wimmer Gallery, New York
“The Computer in the Studio,” De
Cordava Museum and the Computer Museum
Boston,
“Transsexualism,” Mark Moore Gallery,
Santa Monica, California, curated by
Sabina Ott
“Crash,” Thread Waxing Space, New York,
curated by Tom Zummer
“New Old Masters,” Center for the Arts,
San Fransisco, California, (C) catalog
“Monoprint Invitational,” Horodner
Romley Gallery, New York, N.Y.
“Nine Months,” Howard Yezerski Gallery,
Boston Mass.
1993 “Malta’s Cradle: Reflections on the Abyss of
Time,” Solo Press Gallery, NY,
curated by Peggy Cyphers
“Exquisite Corpse,” Drawing Center, NY;
traveled to Corcoran, Washington, D.C.,
Santa Monica Museum
Santa Monica CA;
The Forum for Contemporary Art, St.
Louis Mo.; American Center, Paris,
France (C.)
“Tabu,” Four
Walls, Brooklyn, New York
“Women’s Art Women’s Lives, Women’s
Issues,” Tweed Gallery, New York
“Appraising the Preternatural,”Patricia
Shea Gallery, Santa Monica, CA, by Sue
Spaid/ MichaelAnderson
“Songs of Retribution,” Richard
Anderson Gallery, New York
“Art in the Age of Information,”
Pittsburgh, Pennsylvania; curated by Elaine King
1992 “1992, Art on Paper,” Weatherspoon Gallery,
Greensboro, North Carolina
“Paper Houses,” David Beitzel Gallery,
New York
“Group Show,” Albright-Knox Museum,
Buffalo, New York
“Ornament: Ho Hum All Ye Faithful,”
John Post Lee Gallery, New York
“Allusions/Illusions,” David Beitzel
Gallery, New York
“Group Show,” Schmidt/Dean Gallery,
Philadelphia, Pennsylvania
“Abstraction/Distraction,” Richard
Anderson Gallery, New York
“External Fantasies, Internal
Realities,” Security Pacific Galleries, Los Angeles,
California
1990 “Group Show,” Mathew Scott Fine Art, Los
Angeles, California
“Group Exhibition,” Schmidt/Dean
Gallery, Philadelphia, Pennsylvania
“Large Drawings,” Lang and O’Hara
Gallery, New York
1989 “Mystery,” New Visions Gallery, Ithaca, New
York; Bard College Gallery, New
York; Bevier Gallery, Rochester
Institute of Technology, Rochester, New York
“100 Drawings By Women,” Blum Helman
Gallery, Hillwood Art Gallery, New
York, catalog
1988 “Mutations,” Anina Nosei Gallery, New York
“Imprimatur,” Greenville County Museum
of Art, South Carolina & North Carolina
Museum of Art
“Double Visions,” Hallwalls, Buffalo,
New York; Longwood Art Gallery,
Bronx Council of the Arts, New York;
curated by Fred Wilson, catalog
“The Inscribed Image,” Lang and O’Hara
Gallery, New York; curated by Pat
McCoy
“Four Corners of Abstraction,” White
Columns, New York IGI’88, New York
1987 “Drawings of the Eighties,” Carnegie Mellon
University Gallery, Pittsburgh,
Pennsylvania
“Group Show,” Cone Editions, New York
1986 “Small Scale Abstractions”, Grace
Borgenicht Gallery, New York
“24X24,” Ruth Siegel Gallery, New York
“Abstraction, Abstraction”, Carnegie
Mellon University Gallery, Pittsburgh & Klein
Gallery, Chicago
1985 “Group Show,” Barbara Toll Gallery, New
York
“Small Works,” Gabriel Bryers Gallery,
New York
“Exhibit A,” Brooklyn County
Courthouse, Brooklyn, New York, curated by Darra
Keaton
“Abstract Issues,” Oscarson Hood
Gallery, Tibor de Nagy; curated by Steven
Henry Madoff
“Non-Objective World-1985,” Kamikaze,
New York; curated by Stephen Westfall
“Update 84-84,” White Columns, New
York, catalog
“10 Downtown,” Michael Katz Gallery,
New York
“Nancy Davidson, Fontaine Dunn and
Emily Cheng,” AIR Gallery, New York
“Surplus,” Exit Art, New York, catalog
“Emily, Anna and Ti Shan,” Asian Arts
Institute, New York
“Forecast: Images of the Future,”
Kenkeleba, New York
“Spiritual Climates,” Thorp Intermedia
Gallery, New York
1984 “New Abstraction,” Tibor de Nagy Gallery,
New York
“Abstract Drawings,” New York
University, New York
1983 “Women Make History,” Edith Macy
Conference Center, New York
“Terminal New York,” Brooklyn Army
Terminal, New York
“Hong Kong, Tokyo, New York,” Kenkeleba,
New York
“In Arcadia,” Lucy Strike, New York;
curated by Mary Torras
1982 “Contemporary Shields,” Galerie des
Refuse, New York
“30 New York Painters,” Hobart and
William Smith College, Geneva, New York
“Lee Tribe, Emily Cheng and Vivian
Sheihing,” SUNY Gallery, Purchase,
New York
1980 “New Talent,” Nardin Gallery, New York
BIBLIOGRAPHY
Priya Malhotra, "Wholeness in a Fragmented World", Asian
Art News, July/Aug 2004
Impy
Pilapil, "Rekindling Wonder", Philippine Star, July 3,
2004
Roberta Smith, "Jewel in the Heart", New York Times,
June 25,2004
Jonathan Goodman, "Ornament as Knowledge, Ornament as
Desire", Yishu Journal, December 2003
Richard Vine, "The Wild Wild East" Art in America,
September, 2003
Holland Cotter, "Visual Dialogue", Reviews, New York
Times, 11/01/02
Lilly Wei, "Emily Cheng" Art In America, June 2002
Edward Sozanski, The Philadelphia Inquirer, June 14,
2002
Ken
Johnson, Art in Review, New York Times, 2/8/02
New
Yorker, Art Galleries, 2/4/02
David Hsieh, "Exhibition of Emily Cheng", World Journal,
1/19/02
Heather Lustfeldt. “Gallery Artists of Different
Styles”, Kansas City Star, 7/6/01
Roberta Fallon. “Greener Pastures,” Philadelphia Weekly,
12/27/00
D.
Dominick Lombardi. “Abstracting the Meaning,” The New
York Times, 9/24/00
Yeon-Shim
Chung. “Emily Cheng Unity of East and West,” The Art
Magazine Wolgan Misool, July 2000
Sing
Tao Daily, March 3, 2000 “Kingsbough’s College
Celebrates Woman’s History Month”
Christopher Millis. “Sense and Sensibilities,” arts
Media, Feb. 15, 2000 Volume 4, no. 6
Channing Gray. “Subtle Whimsy,” Providence Journal,
February 3-6, 2000
Jana, Reena. “Flash Asia,” Flash Art, May-June 1999
Spalter, Anne Morgan. "The Computer in the Visual Arts",
published by Addison Wesly, pgs. 80, 82, plate 16 1999
Aquino, Glenna. “Emily Cheng: Ways of Seeing”, Grandlife,
Volume 1, Number 5, 1998
Cone, Jon. Q&A, ARTBYTE, September 1998
Alayang, Rachel. “Influence Melder,” Filipinas, March
1998
Sozanski, Edward J. “A Visions....” The Philadelphia
Inquirer, December 26, 1997
Howell, George. “A Box,” Art Papers, November/December
1997
Burgos, Rowena C. “Emily Sycip Cheng’s Small Works an
intensive seminar in history,” Malaya, July 10, 1997
Serrano, Vincenz C. “Crossing Cultures,” The Manila
Times, 1997
“The
Art of Emily Cheng,” Alabang Village Voice, July 20,
1997
“Small Works at the Met,” Business Worlds, July 2, 1997
Pozzi, Lucio. “Il Folografismo nella
Pictura,” Il Giornalle Dell’Art, N149, Nov. 1996
Wye,
Pamela. “Emily Cheng, Ever the Twain Shall Neet,” Sulfer
39, Fall 1996
Goldsmith, Dawn. “Colour and Conversation,” Eve
Magazine, May 1996
Millichap, John. “Emily Cheng at Hanart Gallery,” Asian
Art News,May/June1996
Au,
Desiree. “Cheng’s Art as Multilayeredas self,” Hong Kong
Standard, March 7, 1996
Wei,
Lilly; “Time Readings”, Asian Art News, March/April 1996
Mc
Coy, Pat. “The Uses of Taxonomies in Emily Cheng’s
Paintings,” New Observations, Issue 107
Lukitsh, Joanne.“Pixel Penance,” Afterimage, January
1995
Spaid, Sue; “On Duty, Work, Joy and Art” ZYZZVA Spring
1995
Angelo, Jena Marie. “Master Printer Marries Digital,
Traditional Processes,” Computer Pictures, March/April
1994
Taylor, Robert. “Transforming High Tech Art into High
Art,” The Boston Globe, October 11, 1994
Silver, Joanne. Boston Herald, July 21, 1994
Goodman, Jonathan. Review, Art News, April 1994
Bradier, Robert. “Horizons: Monoprints by Emily Cheng,”
Everybody’s News, March 3, 1994
Findsen, Owen. “Artworks Recall the Past,” The
Cincinnati Inquirer, February 4, 1994
Sozanski, Edward. “Emily Cheng,” The Philadelphia
Inquirer, July 2, 1993
“All
Star Salute to Chinese American Cultural Pioneers,” NYC
Council and Chinese American Art Council, June 1993
Cheng, Emily. “The Question of Gender in Art,” Tema
Celeste, Fall 1992
Cheng, Emily. “On Motherhood,” Meaning Magazine, Fall
1992
Adelman, Robert. Review, Art Press Magazine, October,
1992
Cotter, Holland. Review, The New York Times, May 1992
Ness, Eileen. “Emily Cheng,” Art Forum, May 1991
Mahoney, Robert. “Emily Cheng,” Arts Magazine, Summer
1990
Sozanski, Edward. “Emily Cheng,” The Philadelphia
Inquirer, December 13, 1990
Cyphers, Peggy. Emily Cheng,” Arts Magazine, February
1989
Hagan, Charles. “Emily Cheng,” Art Forum, March 1989
Heartney, Eleanor. “Emily Cheng,” Art News, March 1989
Kimmelman, Micheal. “Emily Cheng,” New York Times,
December 2, 1988
Handy, Ellen. “New Editions,” Art Magazine, November
1987
Henry Gerrit. “New Editions,” Art News, October 1987
Mc
Coy, Pat. “Emily Cheng,” Artscribe, September 1987
Westfall, Stephan. “Emily Cheng,” Art in America,
October 1987
Miller, Donald. “At the Galleries,” Pittsburgh Post
Gazette, March 29, 1986
Sherman, Mary. “Is Abstract Coming Back?” Reader
Magazine, July 11, 1986
Schwabsky, Barry. “Abstraction and its
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Magazine, 9/96
Brenson, Micheal. “Emily Cheng,” New York Times, May 24,
1985
Brenson, Micheal. “New Abstraction,” The New York Times,
January 4, 1985
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Gazette, January 20, 1983
Winokur, James. “Emily Cheng,” Tribune Review, January
16, 1983
AWARDS
1996 New York Foundation for the Arts
Fellowship
1995 Yaddo Fellowship
1982-1983 National Endowment for the Arts
Fellowship
EDUCATION
1975 B.F.A. Painting, Rhode Island School
of Design, Providence, Rhode Island
1977-79 New York Studio School of Painting,
Drawing and Sculpture, New York,
New York |
